Is it a scene from Blowup, Michelangelo Antonioni’s renowned film, or maybe a studio where a porn film is shot? The setting of 2020: Obscene, with its bright colors and cameras recording everything, is on the edge. Like everything else happening during the 85 minutes of this performance that comments on lifestyle sadomasochistic eroticism’s fetishism. “I am a woman, not a fool,” proclaims Alexandra Bachzetsis and stages a performance which serves